Which is just a long-winded technique for saying that I think it's a mistake to mention "the Beatles'" standards and "my/your" standards as though they are not derived from a largely shared cultural norm that could be defined and deconstructed. (While I'll admit that my relation to and financial commitment in said norms will vary from the investment that you or anyone else has in it. But while your preferring demo-styled production is pretty subjective - or maybe you just like the demo's relation to a sense of authenticity? - the song's simple function in being a peace and love anthem demands a certain standard of production that the Beatles don't present.
re: "Paperback Writer". You're right, it has a great bass line. But I think it's a tiny bit disingenuous to isolate only the bass line, as though that by itself can rescue a banal lyric with a ridiculously overdone and appropriately mocking harmony.
I was generalizing with the analogy so far as what people think of when they think of your Beatles or Claremont. I probably should've turned it more on the authors' have view of their very own canon. At the conclusion of The Beatles Anthology documentary, McCartney's summary statement is that he is happy most of the Beatles' songs ended up about "peace, love and understanding.
So "All You Need" and "God Loves" are emblematic of their respective authors while simultaneously and paradoxically turning out to get flawed, duller jewels in Individuals authors' respective crowns when inspected closely.
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The second season bargains with the aftermath of his coming out and follows Victor as he navigates through the challenging times with his family, while also dealing with his relationship with Benji, which is tested multiple times, due in part to Victor's family.
I love Ian MacDonald's book, there's a great deal of good in there, but his rigid insistence on holding the Beatles to his personal standard of "pop" song perfection is dangerous.
It really is disclosed that Victor selected Benji, and they relive their first real kiss around the school bench. Meanwhile, Rahim waits for Victor to show up, but is comforted by his mother after he does not. Felix and Pilar increase closer and Felix wants to tell Pilar's parents about their relationship, but she's resistant due to her overprotective father.
Irrespective of Simon having found acceptance, Victor faces some remnant heteronormative issues while attempting to slot in. On the other hand, he also has to deal with his family being more conservative. His sister goes into the same school as him, in freshman year.
Regarding (what I'm professing is) the subjective requirements: I don't agree that music must "sell" the sentiment of the lyrics -- I am more interested from the juxtaposition of the two, and suspect because of that I just think the song is "about" something just slightly different from what you think it's "about". Sorry for your quotes, they're not intended as sneers, just recognition that the song is probably mostly about what it truly is in by itself, as being a song...in any case that's my philosophy. Nevertheless I don't question your musical qualifications, nonetheless I don't find anything about AYNIL plodding, tired, heavy, or depressing, and i am a huge admirer of These double-negative stripping-away lyrics: I find them elegant. But then I also website here liked In His Personal Write along with a Spaniard In The Works.
All of these things about the social construction of standards admitted - what are your standards, anyway?
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And that i did know that the Death of Captain marvel was the first Marvel graphic novel. It's always been a favourite of mine and aside from Bucky - Captain Marvel held the longest record for dying and staying dead.
(However I might then have to counter with what I might argue are better songs that do much the same thing.) But, really, I don't understand why you think this song is worth fighting for. And that i don't think that you've really tried using, in any case.
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